Review ....King Of Scotland

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(The masses cheer the real Idi Amin before the bloodletting started…was he early glimpse of radical Islam?)

Was Uganda’s Idi Amin (1924-2003) merely a monomaniacal misanthrope as suggested by the generally accepted myth, or was he a diabolical despot with more of a method to his madness?

The conventional caricature created over the course of his eight-year reign of terror dismissed the sadistic strongman as a laughingstock among world leaders. This was based on an array of increasingly bizarre, mostly unsubstantiated rumors circulated in the Western press depicting him as a depraved character indulging in erratic behavior ranging from a childlike narcissism to outright cannibalism.

Conveniently overlooked, in the rush to dismiss Amin simply as a paranoid lunatic who had senselessly slaughtered 300,000 of his own people without rhyme or reason, was the fact that he was a Muslim and that much of the sectarian violence, which he visited upon Uganda in the wake of his 1971 coup, was along religious rather ethnic lines. For example, soon after assuming power, not only did he create death squads comprised primarily of trusted Nubian and Sudanese Muslims, but he also broke off diplomatic relations with Israel, while cultivating closer ties with Arab countries.

This explains why, in 1976, the pro-Palestine Amin allowed the PLO to land a hijacked airliner at Uganda’s International Airport at Entebbe; and why, when he was ultimately exiled in 1979, he was granted asylum by Saudi Arabia. So, given the recent rise of radical Islam, one might expect a new biopic revisiting the life of the despicable dictator to take a fresh look at his motivations as possibly one of the early proponents of an emerging ideology.

Unfortunately, The Last King of Scotland presents Amin as essentially that creepy, cartoonish persona we are already familiar with, rather than from a more complicated perspective. The problem undoubtedly emanates from the source material, since the picture is based on the historical novel of the same name written by Giles Foden, a Scotsman who was a child at the time that his subject was in power.

The book explores similar themes as Conrad’s Heart of Darkness, sharing that literary classic’s inclination to paint Africa as a frightening, godforsaken land of unimaginable bloodlust. The novel is narrated by a fictitious character purely a creation of Foden’s imagination, a naive Scottish doctor with an uncanny, Forrest Gump-like knack for appearing at memorable moments in Ugandan history.

This fairly faithful adaptation of the best seller was directed by another Scotsman, Kevin MacDonald, who coaxes an Oscar-quality performance out of Forest Whitaker, though sadly in service of a mediocre melodrama. For while Whitaker’s interpretation of Amin is admittedly mesmerizing, what’s nevertheless disappointing is the script’s reluctance to humanize its antagonist, settling instead to portray him as that stereotypical mental patient, ala Hannibal Lector, who alternates unpredictably between the polar opposites of a refined charm and sheer brutality.

The picture co-stars James McAvoy as Dr. Nicholas Garrigan, a recent med school graduate who arrives in the country planning to practice among the poor. However, after being recruited as the head-of-state personal physician, he soon finds himself at the beck-and-call of Amin, serving also as a confidante, sidekick and stand-in at the presidential palace.
Enjoying the Mercedes convertible and other considerable perks of his plumb position, Garrigan initially has no problem with his job. But as evidence of the wholesale ethnic cleansing unfolding across the countryside is gradually revealed, he becomes acutely aware of his boss’ penchant for cruelty and of his own implied complicity as a medical mercenary.

Then, when members of the cabinet start disappearing, too, the doctor suddenly has a reason to fear for his own safety, since he’s become infatuated with one of Amin’s neglected wives, played by Kerry Washington. Though no longer able to feign ignorance, he inexplicably chooses to remain in Uganda, with dire consequences.

The Last King of Scotland is likely to be worthwhile if approached not as an historical epic, but as an unlikely-buddy flick about a carefree adventurer completely compromised and corrupted by the embodiment of evil. Recommended for the work of Forest Whitaker alone, even if the gifted actor was restricted by a screenplay which squandered a golden opportunity to imbue his character with a complex range of motivations and emotions.

Good (2 stars). Rated R for sex, expletives, male and female frontal nudity, graphic violence and gruesome images. Running time: 121 minutes. Studio: Fox Searchlight Pictures

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